Abstract:This article focuses on sartorial visions put forth by institutions and representatives of the Cuban regime throughout the 1960s to the 1980s, in particular the visions of modernity produced by and circulated through the institutions of fashion and clothing production of the Cuban state. It presents these visions as oriented to put forth a figured world of power aimed at persuading individuals to participate in the construction of the communist future by catering to the aspirational dreams of the middle class.… Show more
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