The UK has regularly produced films and series that are resonant with some aspects of Nineteen Eighty-Four whatever their genre (science-fiction, horror, thriller, drama). However, one of the most recent and comprehensive tributes to and updates on Orwell’s famous dystopia is probably Russell T. Davies’s miniseries Years and Years (2019). Set in a post-Brexit Britain, it follows an average “Middle England” family from Manchester over the course of a decade of turmoil starting in 2019 and can be seen as a prequel to Orwell’s book. Oceania’s guiding principles are looming in a sort of Big Brother’s world in the making (with omnipresent screens, artificial intelligence and biotechnology) in which all the preconditions for a totalitarian regime to take over the UK are already in place. Populist leaders resort to Newspeak euphemisms to obfuscate the harsh reality of their policies and only common decency can be pitted against them. Like its unavowed model, the miniseries serves as a wake-up call for technophile, numbed 21st century audiences since its conclusion is that it is up to citizens to reclaim and keep control over the past, the present and the future to ensure the survival of democratic institutions.