1982
DOI: 10.2307/763595
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Beethoven's Fingerings as Interpretive Clues

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Cited by 5 publications
(2 citation statements)
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“…A saraband, for example, is a dance in which the second beat is stronger. On the other hand, these obvious rules are only a small subset of the interpretational rules that are piece, genre, pianist and composer dependent (Newman, ; Bamberger, ). In order to draw good conclusions about a trade‐off between interpretation and easiness of a fingering, additional research should be done.…”
Section: Conclusion and Future Researchmentioning
confidence: 99%
“…A saraband, for example, is a dance in which the second beat is stronger. On the other hand, these obvious rules are only a small subset of the interpretational rules that are piece, genre, pianist and composer dependent (Newman, ; Bamberger, ). In order to draw good conclusions about a trade‐off between interpretation and easiness of a fingering, additional research should be done.…”
Section: Conclusion and Future Researchmentioning
confidence: 99%
“…An explicit avoidance of weak fingers can be observed in the fingerings of certain pianists and pedagogues (e.g., Beethoven: Hiebert, 1986, Newman, 1982Chopin: Eigeldinger, 1986) but not others (e.g., Liszt: Walker, 1983). From an anatomic viewpoint, the fingers of the hand divide most naturally into the thumb and the other fingers (enabling grasping).…”
Section: Variations In Finger Strength and Agilitymentioning
confidence: 99%