Between Originality and Indebtedness: Allegories of Authorship in William Faulkner's <i>The Sound and the Fury</i>

Stoicheff, Peter

doi:10.1215/00267929-53-4-449

Modern Language Quarterly

1992

DOI: 10.1215/00267929-53-4-449

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Between Originality and Indebtedness: Allegories of Authorship in William Faulkner's The Sound and the Fury

Peter Stoicheff¹

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2020

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Intertextuality in The Sound and the Fury

Ji-Xiang¹

2020

JLAS

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This paper analysed The Sound and the Fury with the theory of intertextuality, with the aim of going back to intersubjectivity, as promoted by Mikhail Bakhtin. Drawing insight from Susan Sontag's opinion on "interpretation", the author highlights the importance of openness and indeterminacy, as well as the significance of the "form". The author argues that Faulkner found his own voice in the dialogue with previous writers and invited readers to interact with the texts as well.

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Intertextuality in The Sound and the Fury

Ji-Xiang¹

2020

JLAS

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Between Originality and Indebtedness: Allegories of Authorship in William Faulkner's The Sound and the Fury

Cited by 1 publication

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Intertextuality in The Sound and the Fury

Intertextuality in The Sound and the Fury

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