“…The study of strategies within musical affect regulation is especially challenging due to the unfitness of general affect regulation models to the case of music (Randall, Rickard, & Vella-Brodrick, 2014) and the difficulty in defining strategies and differentiating them from other concepts such as musical goals and tactics (Baltazar & Saarikallio, 2016). Studies differ in whether the strategy as a concept refers to processes identified in general affect regulation or processes encountered specifically in music, but overall, music has been reported to facilitate strategies such as reappraisal (Chin & Rickard, 2014a;Randall et al, 2014), entertainment/fun seeking (Gebhardt, Kunkel, & Von Georgi, 2014;Saarikallio & Erkkilä, 2007), relaxation (Van Goethem & Sloboda, 2011), revving up/ energizing (DeNora, 1999;Saarikallio, 2011), and finding solace (Saarikallio & Erkkilä, 2007) (see a complete compilation in Baltazar & Saarikallio, 2016). Recent work has also noted that different strategies have differing impacts on development, wellbeing, and psychological health (Carlson et al, 2015;Chin & Rickard, 2014a;Gebhardt et al, 2014;Marik & Stegemann, 2016;Schäfer & Sedlmeier, 2009;Thoma, Ryf, Mohiyeddini, Ehlert, & Nater, 2012;Thomson, Reece, & Di Benedetto, 2014).…”