“…More specifically, we argue that gender trouble can elicit different forms of threat in audience members (C. T. Nagoshi et al, 2019;Outten, Lee, & Lawrence, 2019), which, in turn, may prompt the reinforcement of the gender/sex binary through various psychological processes. These processes include (a) cognitive efforts to realign character, costume, and script, including the stereotypical subtyping of troublemakers and motivated cognition such as biased information processing and memory (e.g., E. L. Haines & Jost, 2000); (b) increasing the endorsement of system-justifying beliefs such as benevolent sexism or gender essentialism (e.g., Brescoll, Uhlmann, & Newman, 2013); (c) gender stereotyping and conformity to gender stereotypes (e.g., Laurin, Kay, & Shepherd, 2011); (d) negative attitudes toward, and dehumanization of, gender troublemakers (e.g., Garelick et al, 2017); (e) discrimination and punishment of gender troublemakers, ranging from social and economic penalties to violence, including murder (e.g., Human Rights Campaign, 2018; Rudman, Moss-Racusin, Glick, & Phelan 2012); (f) delegitimization of gender troublemakers and denial of their identity (e.g., Brewster & Moradi, 2010;Friedman, 2014); and (g) the endorsement of policies that strengthen the gender/sex binary and opposition to attempts to dismantle the stage (e.g., Outten et al, 2019;Roberts et al, 2017;Zingora & Graf, 2019).…”