Beyond the wall: street art in the fight against the Camorra

Abstract

The attempt to halt the remorseless spread of organised crime in the Italian South should not just be an issue for the judges, investigating magistrates and forces of order; every citizen should feel that they are an integral part of a wind of change, coming from below, that can have a decisive impact on local society. Starting from this premise, art and culture, adopting an approach of participation and involvement, can play a primary role in processes of renewal. In various areas within the provinces of Naples and Caserta, carefully researched works of street art, with the direct involvement of the local population, have provided the means for intervention in decaying and marginal environments where organised crime seemed to be so well entrenched as to be ineradicable. This article presents four case studies, analysing their assumptions, methodology and objectives.

Mural Art Conservation Data Recording (SCIMA): The Graart Project

“…This means that recent urban art is left out of the Italian legal protection of Cultural Heritage. Luckily, in Italy, several urban art projects have been designed and carried out with the idea of permanence of the artworks, through a careful choice of materials and methods with the aim of ensuring the durability of their authenticity [3,4]. The creation process itself determines the endurance of the work; for this reason, the choice of location and wall, as well as the quality of paints and other materials, is fundamental [5].…”