This paper unfolds in three parts. In Part 1, I describe how I have contended with the fraught relationships among mapping, nationalism, and colonialism in my teaching and research. When writing my first book, Contesting Race and Citizenship, I had to reckon with the positivist impulse to enumerate and map Black Italianness—and, more broadly, with the politics of visibility at a time of increasingly virulent racial nationalisms, xenophobia, and outright anti‐Black violence. In Part 2, I describe the ways my own thinking about mapping has been pushed in new directions by insights from Black geographies. Drawing on Clyde Woods, Katherine McKittrick, and Édouard Glissant—as well as essays from the edited volume The Black Geographic—I argue that Black geographic counter‐cartographies foreground insurgent Black spatial knowledges and practices that have always exceeded racial‐spatial violence, and approach mapping as both a material and poetic process. In Part 3, I conclude by advancing some tentative ideas about what it might mean to map new or alternative geographies of abolitionist struggle that attend to the interconnections between Black Atlantic and Black Mediterranean histories of racial capitalism.