2017
DOI: 10.4324/9781351193719
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Blake, Lavater and Physiognomy

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“…Lavater emphasised the uniqueness of the individual and differentiated 'between the fixed parts, the physiognomy or character of the face, and the flexible parts, the pathognomy or expression of the face'. 3 Charles Bell, surgeon, anatomist, artist and teacher, published in 1806 Essays on the Anatomy of Expression in Painting 4 in which he stressed the importance for the artist of both knowing and understanding anatomy when studying art. Bell concluded that anatomy was the basis of Design by God and that expression, attitude and movement of the human body were the grammar of the language the artist had to learn.…”
Section: Introductionmentioning
confidence: 99%
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“…Lavater emphasised the uniqueness of the individual and differentiated 'between the fixed parts, the physiognomy or character of the face, and the flexible parts, the pathognomy or expression of the face'. 3 Charles Bell, surgeon, anatomist, artist and teacher, published in 1806 Essays on the Anatomy of Expression in Painting 4 in which he stressed the importance for the artist of both knowing and understanding anatomy when studying art. Bell concluded that anatomy was the basis of Design by God and that expression, attitude and movement of the human body were the grammar of the language the artist had to learn.…”
Section: Introductionmentioning
confidence: 99%
“…Lavater emphasised the uniqueness of the individual and differentiated ‘between the fixed parts, the physiognomy or character of the face, and the flexible parts, the pathognomy or expression of the face’. 3 …”
Section: Introductionmentioning
confidence: 99%