2018
DOI: 10.1080/08929092.2018.1445677
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Blind to what’s in front of them: Theatre of the Oppressed and teacher reflexive practice, embodying culturally relevant pedagogy with pre-service teachers

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Cited by 7 publications
(13 citation statements)
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“…This study is guided by a critical pedagogical approach that examines how teachers address topics of difference and marginalization with their students through performance-based methods, and raises questions about the significance of these, often unexamined, daily practices (Solomon & Singer, 2011). The incorporation of such methods has proven to be effective in the teachings of difference within an educational setting (Trifonas, 2003;Boler & Zembylas;Solomon & Singer, 2011;Dei, 2014a;Gallagher, 2014;Duffy & Powers, 2018). This model is premised upon the idea that education should promote students to think analytically, particularly around topics involving social conditions, power, identity and representation (Howard, 2004;Solomon & Singer, 2011).…”
Section: Conceptual Frameworkmentioning
confidence: 99%
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“…This study is guided by a critical pedagogical approach that examines how teachers address topics of difference and marginalization with their students through performance-based methods, and raises questions about the significance of these, often unexamined, daily practices (Solomon & Singer, 2011). The incorporation of such methods has proven to be effective in the teachings of difference within an educational setting (Trifonas, 2003;Boler & Zembylas;Solomon & Singer, 2011;Dei, 2014a;Gallagher, 2014;Duffy & Powers, 2018). This model is premised upon the idea that education should promote students to think analytically, particularly around topics involving social conditions, power, identity and representation (Howard, 2004;Solomon & Singer, 2011).…”
Section: Conceptual Frameworkmentioning
confidence: 99%
“…Grounded in the work of theatrical activist, Augusto Boal's (1979) Theatre of the Oppressed, performance-based pedagogy has long been associated with critical pedagogy and anti-oppressive education as it embodies reflective practices that holds the potential to subvert traditional epistemological frameworks of teachers and of teaching through theatre (Duffy & Powers, 2018). Research suggests that performance-based pedagogical methods have proven to be highly valuable in the area of addressing difference and evoking social change, as they establish a community that educates and empowers participants including both students and educators, which is conducive to critical understanding and fostering a safe, equitable learning environment (Howard, 2004;Cahnmann-Taylor & Souto-Manning, 2010;Snyder-Young, 2011;Gallagher, 2014;Desai, 2017;Duffy & Powers, 2018). As Harman and French (2004) offer, the collaborative and action-oriented use of the body within a particular familiar and local context can help students and teachers connect viscerally to topics of racial and cultural difference, identity and oppression.…”
Section: Conceptual Frameworkmentioning
confidence: 99%
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