Bonds

Schnaas, Dieter; Esposito, Elena; Hutter, Michael; Vedder, Ulrike; Treml, Martin; Hörisch, Jochen; Weber, Elisabeth; Kassung, Christian; Echterhölter, Anna; Braun, Christina von; Pircher, Wolfgang; Brian, Éric; Esposito, Roberto; Harms, Ulrike; Hénaff, Marcel; Herrmann, Ulrike; Ladewig, Rebekka; Lotter, Maria-Sibylla; Rulffes, Evke; Scherer, Bernd; Sedláček, Tomáš; Schwesinger, Sebastian; Lucci, Antonio; Artner, Norbert; Izquierdo, Jota; Stradtmann, Jan; Athanassakis, Irini; Priddat, Birger P.; Aharoni, Sahar; Weigel, Sigrid; Neumann, Valeska

doi:10.30965/9783846756331

2014

DOI: 10.30965/9783846756331

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Bonds

Dieter Schnaas¹,

Elena Esposito²,

Michael Hutter³

et al.

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Cited by 3 publications

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Économètres, vos probabilités sont proches de leur fin. économistes, cherchez un nouveau monde

Brian

2015

RDS

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The article examines several stochastic layers of epistemic reasoning at work in econometrics and in the current economic methods: (1) the argumentative level; (2) the reasoning based on the analogy with gambling; (3) the models based on analytical calculation of probabilities, where the phenomenon is held centered, its uncertainty being controlled by white noise as to its fluctuation; (4) the axiomatic calculus. Entanglement of these strata is observed. The article calls for reflexion on the topic. Doing so, it introduces the concept of stochastic cognitive artifacts.

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Économètres, vos probabilités sont proches de leur fin. économistes, cherchez un nouveau monde

Brian

2015

RDS

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The makings of the debtor: Morality tales and economic reasoning in contemporary neoliberal societies

Thorup

2024

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This article explores both how the debtor became a key actor in contemporary society and relatedly how indebtedness went from being a deplorable, exceptional condition to be avoided to a normal everyday precondition of modern life. Personifying the credit side of futurity, possibilities, enjoyment or accumulation, the debtor is an ambivalent and precarious actor, never an end unto itself, but always a means to something else. The debtor is always embedded in cautionary tales. She or he needs to redeem and discipline her-/himself to become economically sound and accepted within the free market order. In line with this, while crucial for the functioning of neoliberal society, the debtor has not been a project or focus of neoliberal theory. This article explores how the debtor – despite debt being a prominent part of neoliberalism, was not theorized by neoliberals but by their critics both within academia and in activist circles.

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Goethe’s Archaeology of the Modern Curse (Orest, Faust, Manfred)

Berndt¹,

Meixner²,

Mahler³

2016

MLN

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Today the curse has disappeared from epistemological memory. We curse people and things without an institution that would guarantee its success. Because of this, curses also cannot fail; instead, they have degenerated into profanities and insults. The curse has become historical. The current interdisciplinary ensemble of cultural studies has explored an archaeology of the curse based on speech-act theory. 1 In this context, there has primarily been an interest in pre-modern literature and especially for Shakespeare's royal dramas, in which the institutions of the curse serve as the background. 2 But even Johann Wolfgang Goethe-the Enlightenment humanist and classicist-can impart significant insights into the archaeology of the curse since his dramas show how the institutions constitutive of the curse have changed. After (I) elucidating the theoretical background of the curse, we will describe (II) the paradigmatic structures of the curse in Iphigenie auf Tauris: Ein Schauspiel (1787) and (III) its syntagmatic variations in both Faust: Eine Tragödie (1808) and Goethe's partial translation (1823) of Lord Byron's Manfred: A Dramatic Poem (1817).

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Bonds

Cited by 3 publications

References 0 publications

Économètres, vos probabilités sont proches de leur fin. économistes, cherchez un nouveau monde

Économètres, vos probabilités sont proches de leur fin. économistes, cherchez un nouveau monde

The makings of the debtor: Morality tales and economic reasoning in contemporary neoliberal societies

Goethe’s Archaeology of the Modern Curse (Orest, Faust, Manfred)

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