Research into print culture studies in Africa has largely been dominated by histories of how European missionaries, colonial administrators and traders brought the book and literacy to Africa, by what Isabel Hofmeyr describes as 'the idea of the imperial gift'. 1 Indeed, Africa has been marginalised within the discipline of book history, and has been either omitted or assigned only the briefest mention in the major book history companions, dictionaries and readers, while histories of British publishers routinely overlook their profitable enterprises in Africa. 2 As a result, a number of gaps and silences remain. This collection addresses some important issues that have been widely neglected; the focus here is on black southern African writing, publishing and readerships, in contrast with the often white-dominated narrative of print culture, even within African scholarship. Print culture holds important implications for questions of identity, nationality and colonial or post-colonial politics, and, as David Johnson states, there is a need for close attention to 'how "print, text and book cultures" have functioned and continue to function within South Africa's vastly unequal political economy'. 3 Drawing together interdisciplinary research and diverse methodologies, this journal special issue encompasses a range of perspectives, including literary studies, anthropology, publishing studies, the history of the book, art history and information science. Many of the articles are based on previously unexamined archives and collections, for example authors', publishers' and state archives, and oral history research. They are, thus, evidence-based histories that uncover previously unacknowledged or unheard voices and that counter the anecdotal nature of much research on African publishing and print culture. 4 This work has its origins in the British Academy project 'Print Culture and Publishing in South Africa in the 20th Century' (2012-16), based at Oxford Brookes University and the University of Pretoria and led by the guest editors of this volume. This project promoted research into the emergence and constitution of reading publics in the country, the trans-regional networks of print, and the impact of the transnational book trade. A programme of colloquia and seminars in the UK and South Africa brought together international scholars from both regions as fora for multi-disciplinary research. Many of the articles in this issue are based on papers presented in the final three conferences of the project: Print Culture and Colonisation in Africa at the University of Cape Town (May 2015), the Annual Book History and Print Culture seminar at the University of Pretoria (May 2016), and the Print Culture and Publishing in Africa colloquium at Oxford Brookes University (September 2016).