Brahms as a Musicologist

Geiringer, Karl

doi:10.1093/mq/lxix.4.463

Cited by 3 publications

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“…6 Several years later, when he became the musical director of the Music Association of the famous Viennese Society for the Friends of Music, he exhibited several more works by Eccard, Gallus, and Palestrina. 7 The significant amount of time that he dedicated to these works awarded them fresh attention from both scholars and the concert-attending public and contributed to the establishment of the early music canon.…”

Section: Brahms's Study Of Early Musicmentioning

confidence: 99%

Brahms, Rhythm, and the Renaissance

Heisey¹

2012

VURJ

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Section: Brahms's Study Of Early Musicmentioning

confidence: 99%

Brahms, Rhythm, and the Renaissance

Heisey¹

2012

VURJ

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Retoryka muzyczna baroku na przykładzie Psalmu XIII op. 27 Johannesa Brahmsa

Bazelak

2018

KMMUJ

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The Musical Rhetoric of the Baroque on the Example of Johannes Brahms' Psalm XIII Op. 27 The musical style of Johannes Brahms has long been known as influenced by music of the earlier epochs. Its references to techniques, forms and genres of the Renaissance and Baroque music and the elaborate use of the counterpoint were frequently analysed by musicologists. Less often, however, the potential relationship between word and music shaped by the rhetoric in the Baroque music was studied, something which was somewhat forgotten in the Romanticism. Brahms' fascination with the past, which led the composer to study the 18th-century musical literature and treatises, enabled him to recognise many interesting aspects of the Baroque music. Like Bach and his contemporaries, Brahms used rhetorical figures in his early sacred works, e.g. Psalm XIII Op. 27.

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The Musical Rhetoric of the Baroque on the Example of Johannes Brahms’ Psalm XIII Op. 27

Bazelak

2018

KMMUJ

View full text Add to dashboard Cite

The musical style of Johannes Brahms has long been known as influenced by music of the earlier epochs. His references to techniques, forms and genres of the Renaissance and Baroque music and the elaborate use of the counterpoint were frequently analysed by musicologists. Less often, however, the potential relationship between word and music shaped by the Baroque music rhetoric was studied, something which was somewhat forgotten in the Romanticism. Brahms' fascination with the past, which led the composer to study the 18th-century musical literature and treatises, enabled him to recognise many interesting aspects of the Baroque music. Like Bach and his contemporaries, Brahms used rhetorical figures in his early sacred works, e.g. Psalm XIII Op. 27.

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Brahms as a Musicologist

Cited by 3 publications

References 0 publications

Brahms, Rhythm, and the Renaissance

Brahms, Rhythm, and the Renaissance

Retoryka muzyczna baroku na przykładzie Psalmu XIII op. 27 Johannesa Brahmsa

The Musical Rhetoric of the Baroque on the Example of Johannes Brahms’ Psalm XIII Op. 27

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