The main purpose of this work is develop our hypothesis about the tonal targets, which would be phonological-phonetic units responsible for the mediation between the representational level of the intonation and the physical level of the implementation of F 0. The tonal targets were divided into two major categories, topological and punctual. The first occur in a limited space, and is called by Ferreira-Netto (2008) as midtone. The boundaries of this space are defined by the tonal differentiation thresholds (TDT) and are specified at +3 and-4 semitones from the midtone. Beyond these thresholds are the Focus/Emphasis frequency bands. In these bands the tones become relevant events to the listeners who are able to attribute meanings to them. the tones that occur in this region we gave the name of punctual, since they are specific events. To test this hypothesis, we applied test 1, in which participants were asked to repeat a pre-recorded sentence with a striking intonational division: in the first part it was a male voice spealing a declarative phrase, in the second part a female voice speaking an interrogative phrase. From 15 participants we obtained 24 samples, counting intra-subject repetitions. The analysis was conducted in two stages, in the first one we evaluated the ability of the speaker to detect the topological tonal target underlying the first part of the stimulus and to reproduce it. In the second step, we evaluated the ability of the speaker to detect the punctual target characterized by the interrogative and implement it in his speech. The analysis of the first condition was done by means of what we call the relationship index (i r), which measures the degree of correlation between the stimulus and the repetition of the speaker. The analysis revealed that the participants demonstrated a great acuity in the execution of the task, which suggests that the speakers are able to monitor the fundamental frequency implementation, from the detection of the topological targets. The second analysis, on the other hand, shows that the implementation of specific targets can be random to some extent, since it does not need to respect a specific limit, only a threshold. In the second part of the work we apply a similar method, focused on the analysis of emotional speech, in three conditions: anger, sadness and neutrality. The phrase consisted of an excerpt from a science book, read in these three emotions by professional actresses. The analysis, using hypothesis tests (n = 196, p <0.005), revealed that the topological targets between the conditions were distinct, suggesting the intonational space and the variation of frequency in its interior can be a significant clue to the distinction of the emotive speech.