Building Castles in the Sand: Repositioning Touch on the Beach

Abstract

This article develops insights into the haptic geographies of sandcastles and sunbathing. The aim is to produce a iivelier account of the beach that incorporates a sense of performativity and enjoyment, breaking with the occulocentrism that dominates sociai sciences. While acknowledging the importance of vision, this paper affirms the centrality of touch and its significance in the production of feeling. My concern is with haptic articulations of the sensible that draw away from a solely visual interpretation of the beach. Touch offers the possibility of bringing life, sensation, and enjoyment back to the beach, unlocking and animating some of its potentialities. Touch also provides a valuable route to reinvest this space with Pau Obrador-Pons texture and praesentia, along with a sense of the creative and the performative. This article, which draws on ethnographic research conducted on the island of Menorca (Spain), analyses two kinds of haptic sensuality: the highly manipulative and playful version of touch enacted in the building of sandcastles and the more elusive tactile experience of sunbathing,

Tourists' reflections on sustainability in a biosphere reserve landscape

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Current sociological theories and issues in tourism

“…Past critique of the dominance of the visual in tourism studies is countered by a rise in scholarship examining other visceral aspects of embodiment, such as the vocal and listening within the context of music festivals (Waitt & Duffy, 2010), the tactile or haptic (sense of touch) within the sensuality of sunbathing and building sandcastles (Obrador Pons, 2009) or the role of smell in tourists' experiences of charter resorts (Andrews, 2005). Others explore the role of the body in tourism by focusing on sleeping practices (Valtonen & Veijola, 2011) or on the multisensory experiences of food tourism (Everett, 2009).…”

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