2012
DOI: 10.1080/19419899.2011.627696
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But femsub is broken too! On the normalisation of BDSM and the problem of pleasure

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Cited by 21 publications
(18 citation statements)
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References 33 publications
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“…Furthermore, his performances (and those of others like him, for instance the US photographer Robert Mapplethorpe), while intended to explore the interaction of agency and vulnerability, simultaneously serve to represent the embodied vulnerabilities we are all subject to as humans and also as resistance to reductive and disempowering vulnerability discourses(Fineman 2008). Likewise, since the practice and politics of submission is an even less frequently researched BDSM role than that of pro-dommes (cf Hoppe 2011), the art / porn / bdsm films of the New York-based film maker and 'professional submissive', Maria Beatty, provoke us to rethink what we know about femininity, masochism and political agency, as well as the politics of desire (for discussion seeGalt 2010;Jacobs, 1997; on the transgressive potential of the female masochist as sexual agent rather than victim seeDymock 2012; cf Khan 2009a).…”
mentioning
confidence: 99%
“…Furthermore, his performances (and those of others like him, for instance the US photographer Robert Mapplethorpe), while intended to explore the interaction of agency and vulnerability, simultaneously serve to represent the embodied vulnerabilities we are all subject to as humans and also as resistance to reductive and disempowering vulnerability discourses(Fineman 2008). Likewise, since the practice and politics of submission is an even less frequently researched BDSM role than that of pro-dommes (cf Hoppe 2011), the art / porn / bdsm films of the New York-based film maker and 'professional submissive', Maria Beatty, provoke us to rethink what we know about femininity, masochism and political agency, as well as the politics of desire (for discussion seeGalt 2010;Jacobs, 1997; on the transgressive potential of the female masochist as sexual agent rather than victim seeDymock 2012; cf Khan 2009a).…”
mentioning
confidence: 99%
“…Critical sexualities research has challenged these conventions, leading to both an increased understanding and awareness of the diversity of behaviour and experience (i.e. not only procreative), as well as new understandings or re-conceptualisations of forms of sexuality, sexual expression and sexual relating (for example Dymock, 2012;Gabb & Fink, 2017;Parker, 2009;Ravenhill & de Visser, 2017). The links between sexuality and health are complex and diverse (Graugaard, 2017).…”
Section: Sexualities and Health Researchmentioning
confidence: 99%
“…There remain ongoing concerns about the place of gender and race/ethnicity within BDSM communities (e.g. around the whiteness of some communities) but here too there has been productive discussion and debate (Cruz, 2016ab;Deckha, 2011;Dymock, 2012;Simula & Sumerau, 2017). In spite of differences between communities, empirical studies do however suggest that there is a good degree of consistency across communities, at least with regard to the themes at stake in this article about safety and consent (Beckmann, 2009;Newmaher, 2011;Weinberg, 2016;Weiss, 2011).…”
Section: Introductionmentioning
confidence: 99%
“…Feminist debates continue regarding BDSM, and particularly the notion of consent within the SSC mantra, though with an increasing volume of feminist voices seeking to challenge once dominant discourses of BDSM as patriarchal abuse and violence (Beres & MacDonald, 2015;Cruz, 2016ab;Deckha, 2011;Dymock, 2012;Moore & Reynolds, 2004;Ritchie & Barker, 2005;Simula & Sumerau, 2017). The liberal notion of consent at the heart of much sadomasochistic practice, in particular, has been critiqued by a number of feminist theorists, notably Carole Pateman (1983, contract, which is highlighted in BDSM, continues to be used to mask the operation of sexual and racial power.…”
Section: Introductionmentioning
confidence: 99%
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