2016
DOI: 10.1080/14655187.2016.1200350
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But Isn't All Archaeology ‘Public’ Archaeology?

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Cited by 29 publications
(25 citation statements)
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“…This is an interesting finding, and resonates with the hubris identified by Grima (2016) and noted previously.…”
Section: Recognizessupporting
confidence: 68%
See 2 more Smart Citations
“…This is an interesting finding, and resonates with the hubris identified by Grima (2016) and noted previously.…”
Section: Recognizessupporting
confidence: 68%
“…Grima, 2016: 2, see also Green, et al, 2003), with the seven-point typology developed by Bonacchi and Moshenska (2015; see also Moshenska, 2017) providing a particularly thorough overview of the field and acknowledging the degree of overlap between the different categories. However, this general acceptance and agreement regarding the broad range of arenas where archaeology can intersect with the public is not shared when it comes to the details regarding how this interaction should take place.…”
Section: What Is Public Archaeology?mentioning
confidence: 99%
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“…Project directors whose political and community understanding were key to sustaining developments and empowering citizens were brought in to more multi-lateral projects to demonstrate the cultural value of archaeology in their communities. Grima [6] suggests three different ways to think about community archaeology. The ivory tower is the first way to look at it as archaeologists perceive themselves as the insiders and specialists with a privilege of knowledge that has served to widen the division between specialists' knowledge and experience and that of public knowledge.…”
Section: The Rise Of Community Archaeologymentioning
confidence: 99%
“…Another way of thinking about the relationship between the archaeologist, archaeological evidence and practice, and the public, is one which gives the archaeologist the role of mediator between the public on the one hand, and the archaeological resource on the other, or what is sometimes referred to as the gateway or the deficit model, as discussed by Merriman [7]. The third way is the 'multiple perspective model ', which recognizes the variety of perspectives, attitudes, and needs of different audiences, which will result in very different forms of engagement with the past [6]. This model also allows for the promotion of inclusive cultural heritage, a new concept for some in archaeological circles.…”
Section: The Rise Of Community Archaeologymentioning
confidence: 99%