Caballeros y damas en crisis: el amor en tiempos de vanguardia

Capdevila-Argüelles, Nuria; Quance, Roberta Ann

doi:10.1080/14701847.2010.508890

Journal of Iberian and Latin American Studies

2010

DOI: 10.1080/14701847.2010.508890

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Caballeros y damas en crisis: el amor en tiempos de vanguardia

Nuria Capdevila-Argüelles

Roberta Ann Quance

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Cited by 2 publications

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Sirenas que cantan la vida: el sujeto femenino moderno en Vida a vida (1932) de Concha Méndez.

Fernández¹

2020

RICL

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El presente artículo analiza el poemario Vida a vida (1932), de Concha Méndez, desde la perspectiva de la escritura femenina en la vanguardia española. Tras analizar la representación de temas como el amor o la existencia, se argumenta, siguiendo a Altamirano, Quance o Capdevila-Argüelles, que la poesía de Concha Méndez propone una revisión de las vanguardias a partir de la expresión del sujeto femenino moderno que emerge a principios del siglo XX.

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Sirenas que cantan la vida: el sujeto femenino moderno en Vida a vida (1932) de Concha Méndez.

Fernández¹

2020

RICL

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Ortega sobre el amor. Un diálogo con Victoria Ocampo

Freire

2022

rev. estud. soc.

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In the inter-war period, Ortega y Gasset set out to construct a new modernity in which love disappeared. He established a close link between modernity and the regulation of amorous emotion, and between the latter and gender relations. The centrality of love in Ortega’s project of rectifying modernity explains the abundance of his writings on the subject, many of these addressed, somewhat veiled, to Victoria Ocampo. There are hardly any studies on Ortega’s writings on love and none at all from a gender perspective. This article is also in keeping with the growing interest in the topic of love in the field of gender studies.

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Caballeros y damas en crisis: el amor en tiempos de vanguardia

Cited by 2 publications

References 1 publication

Sirenas que cantan la vida: el sujeto femenino moderno en Vida a vida (1932) de Concha Méndez.

Sirenas que cantan la vida: el sujeto femenino moderno en Vida a vida (1932) de Concha Méndez.

Ortega sobre el amor. Un diálogo con Victoria Ocampo

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