2002
DOI: 10.1017/s0373463301241678
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Calculation of Distance Off by Two Horizontal Angles

Abstract: is right to point out the problem inherent in rule 10( j) that one of the vessels in an encounter to which the rule applies cannot be sure whether the length criterion is met or not. Clearly some amendment is desirable.R. D. Pike (2001) reminds us that there are real problems in many collision situations involving high speed craft (HSC) and of the failure of IMO to address these problems. His suggestion that fast vessels may take avoiding action, but that they should reduce speed if they come within a specifi… Show more

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Cited by 2 publications
(10 citation statements)
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“…(Figure 11.9) The choice of window was dictated not by the Biblical narrative or the beauty of the design but by the proportions of each pane of glass: 3:4 or 1:1.33, the aspect ratio of standard definition video turned on its side. 26 Each monitor plays a 12-minute video loop that reconstructs-via 35mm transparencies-a 24-hour cycle. The 'anagogical manner' promulgated by Suger, Abbot of Saint Denis-that is, the ascent from the material to the immaterial world 27 -is here braided and looped: darkness cedes to light and Gospel is birthed from the void, only for the luminosity to reach an intensity so fierce that it obliterates the image and yields a pile of blue screens at once transcendent and opaque.…”
Section: Divinementioning
confidence: 99%
“…(Figure 11.9) The choice of window was dictated not by the Biblical narrative or the beauty of the design but by the proportions of each pane of glass: 3:4 or 1:1.33, the aspect ratio of standard definition video turned on its side. 26 Each monitor plays a 12-minute video loop that reconstructs-via 35mm transparencies-a 24-hour cycle. The 'anagogical manner' promulgated by Suger, Abbot of Saint Denis-that is, the ascent from the material to the immaterial world 27 -is here braided and looped: darkness cedes to light and Gospel is birthed from the void, only for the luminosity to reach an intensity so fierce that it obliterates the image and yields a pile of blue screens at once transcendent and opaque.…”
Section: Divinementioning
confidence: 99%
“…25 As Maurizio Bettini claims, it is an archetype for the recurring narratives about love portrayed-and, accordingly, about our love for portraits. 26 In his Brief History of the Shadow, Victor Stoichita describes the daughter's attempt to 'capture' the image of her lover in order to both rehearse his death and keep him 'upright' and 'alive' in a sort of erotic exorcism and propitiatory practice. Once the young man falls on the battlefield, the portrait that the father molds provides a 'duplicate' that, differently from the 'specter' on the wall, preserves in some way both a 23 Pliny the Elder, 35: 43.…”
Section: Butades's Wallmentioning
confidence: 99%
“…If we now conceive of Schirm-Gerechtigkeit as a model for modern statehood, Benjamin and Agamben's critical point would indeed be supported. 26 The modern territorial state, if seen as following the example of Schutz und Schirm, would in fact turn out to be a regime of protection and surveillance outside of the ordinary relationship of government and obedience, law and citizenship. It would make permanent (in the form of the state) what is in the legal instrument of Schutz und Schirm in fact a private, temporary contract.…”
Section: Schirm-recht and Schirm-gewalt: Screening (Safeguard) As Rig...mentioning
confidence: 99%
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