2013
DOI: 10.21977/d9912639
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Can We Use Creativity to Improve Generic Skills in our Higher Education Students? A Proposal Based on Non-Verbal Communication and Creative Movement

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Cited by 5 publications
(3 citation statements)
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References 11 publications
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“…(Cate, Interview 3, November 2016) Here, Cate describes a shift in subjectivity and thinking about teaching toward engaging with the body and creativity as common pedagogical practice. In responding to culturally diverse learners, CBL centers learning in the body and utilizes the body's power to feel, sense, respond, and imagine to engage more holistically with mathematics curriculum (Rodriquez & Castilla, 2013).…”
Section: Developing Dialogic Pedagogymentioning
confidence: 99%
“…(Cate, Interview 3, November 2016) Here, Cate describes a shift in subjectivity and thinking about teaching toward engaging with the body and creativity as common pedagogical practice. In responding to culturally diverse learners, CBL centers learning in the body and utilizes the body's power to feel, sense, respond, and imagine to engage more holistically with mathematics curriculum (Rodriquez & Castilla, 2013).…”
Section: Developing Dialogic Pedagogymentioning
confidence: 99%
“…Embodiment theories assume a perceptual modality that supports learning via the sensory motor system (Koch, 2006). They also consider the biological and physical presence of bodies as an essential pre-condition for subjectivity, emotion, language, and social interaction (Rodriquez & Castilla, 2013). Minds are more practiced at knowing than bodies, so an argument for embodied ways of knowing and, by association, body-based pedagogies, indicates an epistemological and pedagogical shift toward acknowledging bodies as important agents in knowledge production (Wilcox, (2009).…”
Section: Embodied Pedagogiesmentioning
confidence: 99%
“…However, if teaching for social justice and global humanism are goals of a liberal arts institution, it is essential to build understanding of those concepts on a foundation of developing intraand interpersonal skills and empathy in a formalized way so these skills link meaningfully to academic content. Using embodiment, enactive learning, and somatics as occurred in Rodriguez ' and Castilla's (2013) study allowed students to break down the wall that overly verbal, cognitive, and abstract learning creates, blocking them from better understanding themselves and others as fully human. As Rodriguez and Castilla (2013) summarized, "Self-knowledge and social skills are particularly benefitted through this creative approach" (p.…”
Section: Infusing the Arts: Some Practical Musingsmentioning
confidence: 99%