“…Subversive anonymous graffiti appeared on walls, making fun of his entry by portraying the emperor 'riding into Rome seated on a shrimp'. 29 These elaborate political ceremonies reached not just local crowds, but also larger, international audiences through descriptions in printed festival books, pamphlets, prints and by word of mouth. The same imperial claims as those of Charles V were part of the Ottoman Sultan Suleyman the Magnificent's (1494-1566) ceremonial presence.…”