2007
DOI: 10.1111/j.1477-4658.2007.00365.x
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Carved in living laurel: the sonnet sequence and transformations of idolatry

Abstract: This essay analyses the use of idolatry in representations of desire in six Renaissance sonnet sequences (Petrarch, Sidney, Spenser, Drayton, Daniel and Shakespeare). Seeking to offer a fresh perspective on the relationship between idolatry, gender dynamics and auto‐poetics, the article reviews the changes in the use of idolatrous imagery to argue that they indicate changes in the authorial priorities relating to representations of desire and the writing self.

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Cited by 5 publications
(1 citation statement)
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“…According to Danijela Kambaskovic´-Sawers, Daniel ''appropriates the subtext of Christ's passion to signal his speaker's suffering at the hands of the lady.'' 8 These potentially idolatrous notions are made literal in Donne's work and therefore avoid idolatry; if the beloved is God, then describing the beloved as God offers no theological affront. Donne took a secular tradition with religious overtones and made it overtly parochial.…”
mentioning
confidence: 99%
“…According to Danijela Kambaskovic´-Sawers, Daniel ''appropriates the subtext of Christ's passion to signal his speaker's suffering at the hands of the lady.'' 8 These potentially idolatrous notions are made literal in Donne's work and therefore avoid idolatry; if the beloved is God, then describing the beloved as God offers no theological affront. Donne took a secular tradition with religious overtones and made it overtly parochial.…”
mentioning
confidence: 99%