Theatres were a crucial stage not only for the theatrical performances which took place as part of festivals, but also for other forms of social rituals and performances, such as processions, libations and public honours. This chapter explores the decoration above the central doorway of two theatres in Asia minor, those at Hierapolis and Perge, and explores the ways in which it presented a normative view of the most important aspects of civic festivals to both citizens and visitors. Drawing on the insights of both performance theory and the ‘spatial turn’, it explores the ways in which the decoration of these theatres exerted agency onto those who used the space, offering up a vision of the meaning of the activities in which they were involved, and identifying a hierarchy of activities, individuals, and groups. At Hierapolis the porta regia frieze asserts the importance of Hierapolis’ festivals and her cult of Apollo, and the involvement in this of officials, performers, and civic bodies as well as sacred envoys from the wider region. At Perge the concentration is narrower, focussing particularly on the different ages groups which took part in religious processions in honour of the patron goddess Artemis Pergaia. In both, the decorative programme sets forth messages which acted to frame and inform the human activities which took place within the space, and to solidify a particular version of festival in civic memory.