“…Each sector has its own terminology, conceptual frameworks, priorities, and disciplinary cultures to navigate, and as we dove into the complexity of the first three, the value of rigorous segmentation became increasingly clear. 3 Our methods in each sector included interviews with artists, practitioners, and thought leaders-some deeply immersed in the intersection, others considering it for the first time; a meta-analysis of creative placemaking projects both inside and outside of the ArtPlace and NEA portfolios 4 ; reviews of peer-reviewed and gray literature on trends and policies in a given sector; and the creation of a taxonomy or typology laying out a hypothesis about "what the arts can do" in language resonant to that sector. Throughout the process, we maintained a commitment to highlighting equitable practices and approaches to creative placemaking, and to centering the voices of artists and practitioners-particularly those of color-who have long been pioneers in the field.…”