Translocal Performance in Asian Theatre and Film 2018
DOI: 10.1007/978-981-10-8609-0_6
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Change of Hakka Opera: Ethnicity and Creation in Hakka Musical and Hakka TV Drama

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Cited by 3 publications
(3 citation statements)
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“…It has achieved many positive research results [7]. Few scholars have proposed that using opera art's implicit and explicit educational characteristics in college education is conducive to better-completing opera art creation [8]. e study of opera art involves explaining opera knowledge in class, appreciating famous opera masters, telling opera story plots, and analyzing the inner meaning of opera.…”
Section: Related Workmentioning
confidence: 99%
“…It has achieved many positive research results [7]. Few scholars have proposed that using opera art's implicit and explicit educational characteristics in college education is conducive to better-completing opera art creation [8]. e study of opera art involves explaining opera knowledge in class, appreciating famous opera masters, telling opera story plots, and analyzing the inner meaning of opera.…”
Section: Related Workmentioning
confidence: 99%
“…"Shiping Folk Songs" are classified as rudimentary traditional music and are predominantly prevalent in the hilly areas of southern Sichuan, where the Hakka ethnic group is concentrated. The Ministry of Culture formally categorized them as "South Sichuan Folk Songs" in 2008, acknowledging their importance (Tang, 2022;Sha et al, 2022).The migration of the Hakka people to Sichuan during the Qing Dynasty led to the dissemination of "Shiping Mountain Song" in the southern districts of Sichuan, creating a historical tradition that spans over 400 years. The Hakka community in Sichuan predominantly comprises Hakka individuals originating from Guangdong, Fujian, and Jiangxi provinces.…”
mentioning
confidence: 99%
“…"Shiping Folk Songs" are classified as rudimentary traditional music and are predominantly prevalent in the hilly areas of southern Sichuan, where the Hakka ethnic group is concentrated. The Ministry of Culture formally categorized them as "South Sichuan Folk Songs" in 2008, acknowledging their importance (Tang, 2022;Sha et al, 2022).…”
mentioning
confidence: 99%