Based on a 19th century
method, the process known as mordançage
has been used to dramatically alter black and white photographs since
the 1960s. Mordançage subjects a fully developed photograph
to a series of wet chemical reactions, beginning with an acidic copper(II)
chloride and hydrogen peroxide bleaching solution. Different types
of photographic paper, time in mordançage solution, and the
concentration of hydrogen peroxide, copper(II) chloride, and acetic
acid are all variables that influence the degree of emulsion lift
and corresponding veils observed. We conducted experiments to explore
these variables and analyzed processed prints using ImageJ to measure
changes in pixel intensity and SEM-EDS for compositional analysis.
Fiber-based and cotton rag papers resulted in more emulsion lift than
resin-coated paper, and increased time in the mordançage solution
had similar results. Quantitative analysis of the bleaching solution
reveals how the process variables affect the formation of veils, and
a process scheme is presented. This work provides insight into the
chemical transformations involved in this artistic process.