“…A recent review by Byers & Kroodsma (2009), for instance, questions the biological validity of assays used to infer female preferences for large repertoires, and also notes that small repertoires persist in many songbird lineages, with corroborating evidence in the evolution of some clades for repertoire reductions rather than expansions. An alternative set of characteristics to which females may attend more generally, independent of repertoire size, concerns male vocal skill, as reflected, for example, in the production of particular syllables and phrases and in the consistency with which vocal elements are repeated across renditions (Lambrechts, 1996;Gil and Gahr, 2002;Podos et al, 2009). Studies of vocal mechanics during the last 25 years have illustrated that song production by male birds is intrinsically challenging, involving the simultaneous control and coordination of breathing, syrinx modulations (the left and right sides having separate innervations) and vocal tract modulations including those of the trachea, mandible and oropharyngeal cavity (Nowicki, 1987;Podos and Nowicki, 2004;Suthers, 2004;Riede et al, 2006).…”