Chapter 7 Thoughts on the History of (Re)interpreting Debussy's Songs

Toliver, Brooks

doi:10.12987/9780300237443-008

Debussy in Performance 2000

DOI: 10.12987/9780300237443-008

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Chapter 7 Thoughts on the History of (Re)interpreting Debussy's Songs

Brooks Toliver¹

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2016

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Listening to Performers’ Writings and Recordings

Kaminsky

2016

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This essay offers a close analytical reading of Debussy’s 1904 song “Colloque sentimental.” Drawing on research in performance/analysis and performance studies that engages with performers’ discourse, I analyze not only Debussy’s score, but also commentaries on the song by Jane Bathori and Pierre Bernac, as well as Bathori’s and Bernac’s recordings. For an analyst, the cross-comparison of their respective commentaries and performances allows for rich interpretations of music and text that are unavailable from an exclusive focus on the score.

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Listening to Performers’ Writings and Recordings

Kaminsky

2016

MTO

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Chapter 7 Thoughts on the History of (Re)interpreting Debussy's Songs

Cited by 1 publication

References 0 publications

Listening to Performers’ Writings and Recordings

Listening to Performers’ Writings and Recordings

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