Charlotte Smith'S Androgynous Sonnets

Myers, Anne M.

doi:10.1080/10509580214661

European Romantic Review

2002

DOI: 10.1080/10509580214661

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Charlotte Smith'S Androgynous Sonnets

Anne M. Myers¹

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2004

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Communities: Mary Robinson, Charlotte Smith, Anna Letitia Barbauld, and Romanticism

Labbe

2004

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It has become a critical commonplace to speak of “women's writing” or “women's poetry” as if this is a discrete and recognizable category, with a firm and accepted set of parameters. From here we have evolved an idea of textual “community” that is gender‐based. In this essay, I question the validity of the category, which has no “men's writing” counterpart. I also offer a new understanding of “community,” one which recognizes techniques of poetic variation and pseudonymity. Using three female writers as exemplars, I conclude that a vision of Romantic community derived from particularities of Romantic poetic form is not gender‐based but rather a function of Romanticism itself.

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Communities: Mary Robinson, Charlotte Smith, Anna Letitia Barbauld, and Romanticism

Labbe

2004

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Charlotte Smith'S Androgynous Sonnets

Cited by 1 publication

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Communities: Mary Robinson, Charlotte Smith, Anna Letitia Barbauld, and Romanticism

Communities: Mary Robinson, Charlotte Smith, Anna Letitia Barbauld, and Romanticism

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