Chorus (i)

Smith, J. G.; Young, Percy M.

doi:10.1093/gmo/9781561592630.article.05684

Cited by 2 publications

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“…(1997), 26. The authors clearly follow the theory of two kinds of national identity developed byAnthony Smith (1993). 2 SeeBhabha (1994).…”

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confidence: 86%

Choral Societies and Nationalism in Europe

Stynen¹,

Lajosi²

2019

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This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder.An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www. knowledgeunlatched.org. This book is part 3 of the NISE Proceedings.

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“…(1997), 26. The authors clearly follow the theory of two kinds of national identity developed byAnthony Smith (1993). 2 SeeBhabha (1994).…”

mentioning

confidence: 86%

Choral Societies and Nationalism in Europe

Stynen¹,

Lajosi²

2019

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“…In English, but not in Estonian, a distinction is often made between 'choir' and 'chorus': "an ecclesiastical body of singers is invariably called a choir, as is a small, highly trained or professional group; 'chorus' is generally preferred for large groups of secular provenance"(Smith, Percy, 2001).…”

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confidence: 99%

The Institutionalisation of Participatory Singing since the 1960s in Estonia

Särg

2023

Traditiones

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Previous research into the social structure of participatory singing indicates its decline within modern society (e.g. Blacking 1973, Turino 2008). The present study focuses on processes in amateur singing in Estonia using the “Music in my Life” questionnaire (2022). The results show the dynamics of contemporary participatory singing, which can be characterised as institutionalisation within the context of modern society.

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Chorus (i)

Cited by 2 publications

References 0 publications

Choral Societies and Nationalism in Europe

Choral Societies and Nationalism in Europe

The Institutionalisation of Participatory Singing since the 1960s in Estonia

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