Cine y guerra civil española. Del mito a la memoria

Benet, Vicente J.

doi:10.14591/aniki.v4n2.334

Cited by 1 publication

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“…Other academics also addressed the subject of a resurgence of the past (Aguilar Fernández and Payne, 2018) and even a return of the spectres (Ferrándiz, 2006). This institutionalised vision of memory precisely exposes this hegemonic conceptualisation which has also pervaded the arts (Lapeña Gallego, 2020), literature (López de Abiada, 2008), cinema (Sánchez Biosca, 2006) and among other fields. As a result, there is an individual search for restitution through the recovery of the body of a murdered person, denied a Christian burial and also any political background which might have made them unionists, communists, anarchists, socialists, suffragettes or freemasons.…”

Section: Introductionmentioning

confidence: 98%

Towards an economy of memory: Defining material conditions of remembrance

Palacios González

2023

Memory Studies

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The following proposes a reframing of approaches to Memory Studies from a materialist perspective. Memory Studies emerged simultaneously with the decline of materialist theories and political economy in historical and cultural studies. Despite attempts to generate alternative genealogies and methodological updates, materialism and political economy have been omitted from the study of memory. Several possibilities to define frameworks for future work on memory will be explored here. First, working on memory as part of a mode of production; second, understanding memory as a field that organises internal hierarchies; and third, defining memory as an ideology that ensures the reproduction of the mode of production. This theoretical proposal is supported by fieldwork and experience in the study of memory practices and policies related to the Spanish Civil War and Francisco Franco’s Dictatorship.

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