Abstract:This is an interview with moving image artist, writer, and contemplative practitioner, Marilyn (M) Freeman by artist, Cat Auburn. They explore Freeman’s contemplative filmmaking practice, ‘Cinema Divina’ and the relationship of Freeman’s life, artistic practice and research interests to autotheory. Autotheory is widely held to be the coalescence of autobiography with theory (or philosophy) within a work of art or literature, often with an aim towards offering social or cultural narration and service. The impul… Show more
“…The interview entails considerations of Freeman's methodologies, the influences upon which they draw, and the relationship of Cinema Divina to autotheory in visual arts practice. Freeman's notion of "autotheory metabolizing the raw riches of autobiographic material mined directly from personal experience, fortifying that experience with somatic wisdom and liberating it from a capitalist patriarchy into original artifacts" provides a rich expression of what many of our other contributors also clearly value in the affordances of autotheory (Freeman and Auburn 2022).…”
The process of working with authors and artists to develop their articles has been rewarding, and has revealed the challenges of translating artistic practice, particularly autotheoretical artistic practice, into an academic format [...]
“…The interview entails considerations of Freeman's methodologies, the influences upon which they draw, and the relationship of Cinema Divina to autotheory in visual arts practice. Freeman's notion of "autotheory metabolizing the raw riches of autobiographic material mined directly from personal experience, fortifying that experience with somatic wisdom and liberating it from a capitalist patriarchy into original artifacts" provides a rich expression of what many of our other contributors also clearly value in the affordances of autotheory (Freeman and Auburn 2022).…”
The process of working with authors and artists to develop their articles has been rewarding, and has revealed the challenges of translating artistic practice, particularly autotheoretical artistic practice, into an academic format [...]
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