Cinematography: Theory and Practice

Brown, Blain

doi:10.4324/9780080958958

Cited by 37 publications

(36 citation statements)

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“…The left picture is the preview shoot, and the right one is the setting camera. According to Brown (2012), purposes of the provision of color and light in the movie among others are a full of tones and gradation of tone, color control and balance, shape and in individual dimension than self, separation subjects stand out against the background, depth and dimension in the frame, texture, the mood and tone emotional content, and exposure. The application is done in the tenets of asymmetry can understand from the colour wheel in allotments like the example in Figure 9, the composition in staining that can produce the aesthetic composition for the audience.…”

Section: Resultsmentioning

confidence: 99%

“…The first step of this method is the researcher has to collect the data picture scene from many movie, books, and internet with comparison about understanding the principle of balance (symmetry/asymmetry). Then, the researcher will demonstrate the principle asymmetry into conceptual tools of cinematography (Brown, 2012) with descriptive approaches such as how to apply into the actual shot in the film with 3D Editor.…”

Section: Methodsmentioning

confidence: 99%

“…It is the process of taking ideas, words, actions, emotional subtext, tone, and all other forms of non-verbal communication and rendering them in visual terms. The cinematic technique is the entire range of methods and techniques that usually people use to add layers of meaning (Brown, 2012).…”

Section: Introductionmentioning

confidence: 99%

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The Principle of Asymmetry Aesthetic in Cinematography

Limano

2018

Humaniora

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Section: Resultsmentioning

confidence: 99%

Section: Methodsmentioning

confidence: 99%

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The Principle of Asymmetry Aesthetic in Cinematography

Limano

2018

Humaniora

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“…In previous work we have shown a degree of success in both labeling and generating images with respect to semantic content [Norton et al 2010;2011]. However, analyzing the meaning contained in a particular rendering is an inherently subjective task.…”

Section: Introductionmentioning

confidence: 99%

“…A visual metaphor can be as simple as using an icon of an envelope to indicate access to email on a computer terminal. Visual metaphor can be a powerful tool for conveying meaning in an image and has seen effective use in art and advertising [Brown 2011;Kaplan 2005].…”

Section: Introductionmentioning

confidence: 99%

Conveying Semantics through Visual Metaphor

Heath

Norton

Ventura

2014

ACM Trans. Intell. Syst. Technol.

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In the field of visual art, metaphor is a way to communicate meaning to the viewer. We present a computational system for communicating visual metaphor that can identify adjectives for describing an image based on a low-level visual feature representation of the image. We show that the system can use this visual-linguistic association to render source images that convey the meaning of adjectives in a way consistent with human understanding. Our conclusions are based on a detailed analysis of how the system's artifacts cluster, how these clusters correspond to the semantic relationships of adjectives as documented in WordNet, and how these clusters correspond to human opinion.

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Processing of visual and non-visual naturalistic spatial information in the "parahippocampal place area"

2022

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The “parahippocampal place area” (PPA) in the human ventral visual stream exhibits increased hemodynamic activity correlated with the perception of landscape photos compared to faces or objects. Here, we investigate the perception of scene-related, spatial information embedded in two naturalistic stimuli. The same 14 participants were watching a Hollywood movie and listening to its audio-description as part of the open-data resource studyforrest.org. We model hemodynamic activity based on annotations of selected stimulus features, and compare results to a block-design visual localizer. On a group level, increased activation correlating with visual spatial information occurring in the movie is overlapping with a traditionally localized PPA. Activation correlating with semantic spatial information occurring in the audio-description is more restricted to the anterior PPA. On an individual level, we find significant bilateral activity in the PPA of nine individuals and unilateral activity in one individual. Results suggest that activation in the PPA generalizes to spatial information embedded in a movie and an auditory narrative, and may call for considering a functional subdivision of the PPA.

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Cinematography: Theory and Practice

Cited by 37 publications

References 0 publications

The Principle of Asymmetry Aesthetic in Cinematography

The Principle of Asymmetry Aesthetic in Cinematography

Conveying Semantics through Visual Metaphor

Processing of visual and non-visual naturalistic spatial information in the "parahippocampal place area"

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