2008
DOI: 10.1016/j.annals.2007.03.014
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Closing the hermeneutic circle? photographic encounters with the other

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Cited by 121 publications
(73 citation statements)
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“…Indeed, there has been a proliferation of tourism research that has adopted postcolonial perspectives (Caton & Santos, 2008;d'Hauteserre, 2011;Echtner & Prasad, 2003;Hall & Tucker, 2004;Jacobs, 2010;Phillips, 2008;Tucker, 2010;Tucker & Akama, 2009;Wearing & Wearing, 2006). Both authors of this paper have also been significantly influenced in our Similarly, Gayatri Spivak has drawn on the work of Karl Marx and Jacques Derrida in her articulations on the 'subaltern.'…”
Section: From Postcolonial To Decolonial Thinkingmentioning
confidence: 91%
“…Indeed, there has been a proliferation of tourism research that has adopted postcolonial perspectives (Caton & Santos, 2008;d'Hauteserre, 2011;Echtner & Prasad, 2003;Hall & Tucker, 2004;Jacobs, 2010;Phillips, 2008;Tucker, 2010;Tucker & Akama, 2009;Wearing & Wearing, 2006). Both authors of this paper have also been significantly influenced in our Similarly, Gayatri Spivak has drawn on the work of Karl Marx and Jacques Derrida in her articulations on the 'subaltern.'…”
Section: From Postcolonial To Decolonial Thinkingmentioning
confidence: 91%
“…In particular, scholars of tourism have observed how visitors reproduce iconic destination images in their own photographic practices. This process has been described as "closing the hermeneutic circle"; prior exposure to imagery frames places in particular ways and this creates specific expectations about a place which then forms the metric by which subsequent experiences of that place are judged (Caton & Santos 2008;Crang 2003;Hunter 2008). By this interpretation, tourists travel to reaffirm prior expectations, often rationalized as "authenticity" and documented through photography.…”
Section: Re-presenting the Wallmentioning
confidence: 99%
“…In recent work, scholars of tourism have focused on the way in which visitors take photographs which reproduce the iconic views which drew them to the destination in the first place (Caton & Santos 2008). However, visitor photographs of the Wall are not completely determined by such views (Edensor 2001).…”
Section: Re-presenting the Wallmentioning
confidence: 99%
“…El método más antiguo y más ampliamente aceptado de acceso y análisis de imágenes turísticas ha sido el VEP (Visitor Employed Photography), es decir usar a los turistas como fotógrafos -empleados (Haywood, 1990;Mackay y Couldwell, 2004;Caton y Santos, 2008;Garrod, 2008). El VEP es una técnica en la que los turistas ofrecen a los investigadores las fotografías que han realizado a lo largo de un viaje.…”
Section: Introductionunclassified