Coding reality: implications of AI for documentary media

Kapur, Anandana; Ansari, Nagma Sahi

doi:10.1080/17503280.2022.2048235

Cited by 6 publications

(1 citation statement)

References 18 publications

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“…This new era caters to younger audiences and has restructured the Chinese documentary industry in the internet context. The documentary "I Repair Cultural Relics in the Forbidden City," which found success on Bilibili before being broadcast on television, is a typical example of how online popularity can lead to television exposure [4]. Although the history of Chinese new media documentaries is only over a decade, it has exhibited a booming trend, laying the groundwork for the cultural dissemination of new media documentaries.…”

Section: The History Of Chinese New Media Documentarymentioning

confidence: 99%

From Traditional to Digital: An Analysis of New Media Documentary and Its Effects on Domestic Communication in China

2023

CHR

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In response to the burgeoning Chinese Internet and mobile Internet landscape, new media has consistently undergone rapid evolution, subsequently ushering in a novel era for Chinese documentary filmmaking. As the documentary genre coalesces with new media, the emergent works, specifically designed for audiences in the digital age, are termed new media documentaries. These productions distinguish themselves from conventional documentaries in several ways, including investment and production by Internet companies, utilisation of innovative broadcasting techniques, and adoption of unconventional narrative structures. Moreover, new media documentaries strive to expand their business models and audience reach, as well as actively promote Chinese culture and values domestically. In this article, we examine and deliberate the influence of Chinese new media documentaries on the nations cultural landscape.

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Section: The History Of Chinese New Media Documentarymentioning

confidence: 99%