Coimbra, Fernando Augusto

Coimbra, Fernando Augusto

doi:10.1007/978-3-030-30018-0_188

Cited by 4 publications

(5 citation statements)

References 2 publications

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“…12 MIGUEL MESQUITA, Reconvenção e Exceção no Processo Civil, Dissertação, existente no fundo bibliográfico da Faculdade de Direito de Coimbra, 2007, p. 201 = Coimbra, Almedina, 2009 J. ALBERTO DOS REIS, Comentário ao Código de Processo Civil, vol. 3.º, Coimbra, Coimbra Editora, 1946, p. 99.…”

Section: Código De Processo Civil De 1876unclassified

A conexão material entre o objeto processual apresentado pelo autor e o pedido reconvencional – a propósito de um caso concreto

Marques¹

2023

RED

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Section: Código De Processo Civil De 1876unclassified

A conexão material entre o objeto processual apresentado pelo autor e o pedido reconvencional – a propósito de um caso concreto

Marques¹

2023

RED

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“…Production and transmission of open-access original knowledge, self governance in the certification of the validity of knowledge, the moral and social consequences of research activities, unity of teaching and research, mutual monitoring of the quality of their members in national and international organisations (Coimbra 2003).…”

Section: What Is Tertiary Education?mentioning

confidence: 99%

JHEA, Volume 2, n°3, 2004 - Full Issue

Journal System

2021

JHEA

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“…This, however, is not the case for rock art research, despite the importance of landscape archaeology in rock art studies, particularly in Europe since the 1990s (Valdez-Tullett 2019). Partly, this is due to early archaeoastronomical studies lacking scientific and demonstrable methodologies, giving rise to much speculation and ambiguity (Coimbra 2008). However, the importance of the sky and its elements is clear in their representation in rock art, even if other assumptions, such as the association of sites with solstices, with lunar and solar alignments and especially with Celtic myths, are yet to be fully demonstrated.…”

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confidence: 99%

Carving the Sky

Valdez-Tullett

2024

JSA

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Rock art and astronomy may seem an obvious combination. However, this is not necessarily the case. The expression "rock art" refers to the creation, through painting or carving, of images on hard rock surfaces. It can be found in most corners of the world and has been practised consistently throughout time, with some communities still creating rock art today.The nature of rock art, usually detached from more conventional archaeological contexts, makes its study difficult and open to much debate. This is often complicated further due to the lack of firm chronologies for the motifs. In the quest to understand rock art, questions about the meaning of the symbols are common. For prehistoric rock art, the answer to this is possibly unattainable, since the sense behind the images is long lost, although possibly interwoven with later hundreds or thousands of years of stories and experiences. Whilst we may never know for sure, thinking about possible meanings helps us to reconnect with the rock art and the societies who created these patterns.Rock art imagery is usually divided into figurative and abstract types. Figurative motifs are those whose shapes we can easily recognise, such as the animal and handprint representations of Upper Palaeolithic Art. In fact, many prehistoric rock art traditions are largely based on the depiction of animals. In Europe this includes the Tagus Valley and Levantine Art in Portugal and Spain respectively, both dating to between 11,000 and 5500 BC (Domingo Sanz 2014;Gameiro et al. 2020). The painted Schematic Rock Art tradition, which can be found across an extensive territory from the Iberian Peninsula through to the Italian Piedmont, also has animal depictions in its repertoire (e.g., Defrasne et al. 2019). The rock art of Scandinavia, in both its northern and southern forms, although dated to the later period of between 5500 BC and 550 AD, is also known for its wealth of animal carvings (Goldhahn 2018). The representation of animal types in some cases reflects chronology and regional location, hence lions and mammoths in the Palaeolithic and reindeer in Scandinavia. Figurative representations become more varied in later traditions such as the Alpine Rock Art of Mont Bego (France) and Valcamonica (Italy),

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Coimbra, Fernando Augusto

Cited by 4 publications

References 2 publications

A conexão material entre o objeto processual apresentado pelo autor e o pedido reconvencional – a propósito de um caso concreto

A conexão material entre o objeto processual apresentado pelo autor e o pedido reconvencional – a propósito de um caso concreto

JHEA, Volume 2, n°3, 2004 - Full Issue

Carving the Sky

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