Collecting the new: Major museum collections of twentieth-century Chinese painting in London and Oxford

Huang, Ying

doi:10.1080/19369816.2020.1786642

Cited by 3 publications

(2 citation statements)

References 0 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…Chinese art pays attention to reproduction, realism and freehand brushwork. In artistic creation, it will integrate the thoughts and feelings of the aesthetic subject into the object [5].…”

Section: The Concept Of Chinese Calligraphy and Paintingmentioning

confidence: 99%

Chinese Calligraphy and Painting Electronic Creation Software based on Computer Aided Technology

2023

IJBDIT

View full text Add to dashboard Cite

Since the emergence of computer-aided technology, countless talented artists have been trying to use computer technology as a tool for artistic creation. But early computers were expensive and had a small amount of computation. Therefore, in that era, it was very difficult to apply computers to artistic creation. With the rapid development of computer hardware technology, even an ordinary computer has far more computing power than previous large-scale computers. This creates a lot of technical possibilities for artists to realize their dream of artistic creation through computers. Although China has a long history and splendid Chinese culture and art, and the unique charm of Chinese calligraphy has been recognized by the world with the unremitting efforts of predecessors, the research of Chinese computer art is very limited in the field of computer science. In addition, the current research on computer art in the form of western art cannot well solve many problems encountered by traditional Chinese calligraphy and art in the process of digitalization and informatization, and can provide technical support for it. On the basis of computer aided technology, this paper establishes a virtual interactive computer simulation model framework for the electronic creation of Chinese calligraphy and painting. The experimental results show that by using the interactive virtual brush model, Chinese calligraphy and painting with strong artistic expression can be produced.

show abstract

“…Chinese art pays attention to reproduction, realism and freehand brushwork. In artistic creation, it will integrate the thoughts and feelings of the aesthetic subject into the object [5].…”

Section: The Concept Of Chinese Calligraphy and Paintingmentioning

confidence: 99%

Chinese Calligraphy and Painting Electronic Creation Software based on Computer Aided Technology

2023

IJBDIT

View full text Add to dashboard Cite

show abstract

“…Архивные фотографии в коллекции Академии художеств позволяют судить о дизайне выставочного пространства 22 . Предметы располагались в витринах, поставленных вдоль стен и по центру зала.…”

Section: содержание и структура каталогаunclassified

Catalogue of the London Exhibition (1935), As a Source on the History of Collecting of Chinese Art in the 1930s

Guseva¹

2021

PTHA

View full text Add to dashboard Cite

Каталог лондонской выставки 1935 года как источник по истории коллекционирования китайского искусства С ноября 1935 до марта 1936 г. в залах Королевской Академии художеств в Лондоне проходила «Международная выставка китайского искусства (International Exhibition of Chinese Art)». «Насколько предприятие преуспело -об этом будет судить публика,писал директор выставки сэр Персиваль Дэвид в своей статье, выпущенной в декабре 1935 г., подчеркивая, что о серьёзности этой попытки свидетельствует число экспонатов и участников: 14 стран предоставили около 4000 предметов [14, p. 239].Выставка имела грандиозный успех: её посетили более 400000 зрителей 1 , каждый четвёртый из которых купил каталог 2 . Журналы и газеты писали только о китайском искусстве, а на лондонских улицах, как вспоминал китайский художник Цзян И 3 , к нему подходили незнакомцы выразить своё восхищение китайской культурой [28, p. 21].По широте охвата и количеству представленных предметов лондонская выставка 1935 г. до сих пор остаётся беспрецедентной, как и её значение для развития синологического направления в истории искусства [15; 19; 20; 21; 29; 31].Идея выставки зародилась в конце 1932 г. в Лондоне в среде британских коллекционеров и любителей китайского искусства [30, p. 81]. В 1934 г. правительство Китая согласилось на предложение участвовать в лондонской выставке и приняло решение о проведении отбора экспонатов из китайских коллекций. Ранней весной члены британского организационного комитета прибыли в Шанхай [19, p. 145]. Предметы отбирались в течение двух месяцев с весны 1935 г. совместно китайскими и западноевропейскими специалистами. 4 1

show abstract

Impact and features of Chinese realism in painting with focus on tradition and modernity

2021

jett

View full text Add to dashboard Cite

The relevance of the research topic lies in the fact that Western trends dominate in contemporary the Chinese realistic art, while interest in traditional painting techniques in a realistic direction has practically disappeared. To preserve the national cultural heritage, it is necessary to study more carefully the possibilities of applying traditional ideas in modern realistic painting. The purpose of the study is to identify the features of the traditional foundations of Chinese painting and their applied value for teaching students of modern painting. The objectives of the research are to analyze the scientific literature on the topic, conduct a survey among students to assess the traditions of Chinese re-artistic painting, as well as summarize the results of empirical research. The research methodology includes the methods of the general scientific group (analysis, synthesis, induction, deduction), as well as methods of art history analysis: historical and logical; analogy method; method of formal comparison. In an empirical study, the method of statistical analysis was used, applied using the program Neural Designer, a tool for advanced statistical analysis. The research materials were the results of a survey of 3rd year students (bachelor's degree). Three groups of students were interviewed, each of which included 25 people: two experimental groups and one control group. The author of the study came to the conclusion that the combination of traditional and modern techniques in realistic painting in the classroom can increase the motivation for learning, develop new technical skills among students studying in the specialty «painting and graphics».

show abstract

Collecting the new: Major museum collections of twentieth-century Chinese painting in London and Oxford

Cited by 3 publications

References 0 publications

Chinese Calligraphy and Painting Electronic Creation Software based on Computer Aided Technology

Chinese Calligraphy and Painting Electronic Creation Software based on Computer Aided Technology

Catalogue of the London Exhibition (1935), As a Source on the History of Collecting of Chinese Art in the 1930s

Impact and features of Chinese realism in painting with focus on tradition and modernity

Contact Info

Product

Resources

About