Collection Paul Canellopoulos (XI). Sculptures

Zagdoun, Mary-Anne

doi:10.3406/bch.1978.2006

Cited by 3 publications

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“…Η κόμη συγκρατείται και στη στήλη αυτή με ταινίες και αποδίδεται με τον ίδιο οξύ και γραμμικό τρόπο, αλλά χωρίς ελεύθερους κυματισμούς. Κοινή είναι ακόμη και η διάθεση του ενδύματος, η πτύχωση του υφάσματος στην πλάτη και γύρω από τον δεξιό βραχίονα, αν και στη στήλη Giustiniani η απόδοση των θεμάτων τονίζει περισσότερο τις πλαστικές αξίες της κινημένης επιφάνειας.Ο Ρ. E. Arias συσχέτισε τον λεπτό ιωνικό πέπλο των μορφών της Φαρσάλου με μια ομάδα λοκρικών πινάκων(239). Μετά την τελευταία αναφορά, οδηγούμαστε στο συμπέρασμα ότι οι συσχετισμοί, που μπορούν να γίνουν με έργα διαφορετικών περιοχών για τις οποίες ισχύει γενικά ότι έχουν ιωνικές καταβολές, έχουν καλύψει για τη στήλη της Φαρσάλου όλο το δυνατό εύρος των γεωγραφικών ορίων.…”

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Συμβολη Στη Μελετη Των Θεσσαλικων Επιταφιων Αναγλυφων Του 5ου Και 4ου Αι. Π.Χ.

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Συμβολη Στη Μελετη Των Θεσσαλικων Επιταφιων Αναγλυφων Του 5ου Και 4ου Αι. Π.Χ.

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Wastias: the lion of Thebes

Papazarkadas

2022

J. Hell. Stud.

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This article offers the first comprehensive presentation of a monumental funerary lion found approximately 60 years ago in Thebes. Remarkably, the stone lion’s breast is inscribed with the name of the deceased, Ϝαστίας. On numismatic, epigraphic and historical grounds, I identify this Wastias as the homonymous magistrate appearing on staters of the Boiotian koinon in ca. 400 BC, but also as Astias, one of the leading Laconizing Theban politicians on the eve of the Corinthian War (Hellenica Oxyrhynchia 20.1–2). Wastias’ death can be very plausibly placed in 395 BC, the year of the battle of Haliartos. The proposed association is supported by a stylistic analysis of the monument, which thus becomes one of the best-dated sculpted lions of the Classical period. My contextual analysis of the monument reaffirms the notoriously oligarchic orientation of Theban politics. It also prompts a re-examination of other funerary lions, most notably its regional successor in the lion of Chaironeia. It concludes with a reflection on the nature of individual versus collective commemorative practices.

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HELLENISTIC FREESTANDING SCULPTURE FROM THE ATHENIAN AGORA, PART 1: Aphrodite

Stewart¹

2012

Hesperia: The Journal of the American School of Classical Studi

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The journal is also a member of CrossRef.The American School of Classical Studies at Athens is a research and teaching institution dedicated to the advanced study of the archaeology, art, history, philosophy, language, and literature of Greece and the Greek world. Established in 1881 by a consortium of nine American universities, the School now serves graduate students and scholars from more than 180 affiliated colleges and universities, acting as a base for research and study in Greece. As part of its mission, the School directs on going excavations in the Athenian Agora and at Corinth and sponsors all other American-led excavations and surveys on Greek soil. It is the official link between American archaeologists and classicists and the Archaeological Service of the Greek Ministry of Culture and, as such, is dedicated to the wise management of cultural resources and to the dissemination of knowledge of the classical world. Inquiries about programs or membership in the School should be sent to the American School of Classical Studies at Athens,

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Collection Paul Canellopoulos (XI). Sculptures

Cited by 3 publications

References 0 publications

Συμβολη Στη Μελετη Των Θεσσαλικων Επιταφιων Αναγλυφων Του 5ου Και 4ου Αι. Π.Χ.

Συμβολη Στη Μελετη Των Θεσσαλικων Επιταφιων Αναγλυφων Του 5ου Και 4ου Αι. Π.Χ.

Wastias: the lion of Thebes

HELLENISTIC FREESTANDING SCULPTURE FROM THE ATHENIAN AGORA, PART 1: Aphrodite

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