2013
DOI: 10.1177/1469540513498613
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Comfort, identity and fashion in the post-socialist city: Materialities, assemblages and context

Abstract: This paper works at the intersection of three bodies of writing; theories relating to fashion, identity and the city; debate relating to urban materialities, assemblages and context; and cultural interventions advancing the study of post-socialism. Drawing on empirical research undertaken in Bratislava, Slovakia, we unpack a blurring of public and private space expressed through clothing. In contrast to elsewhere in the city, in Petržalk, a high-rise housing estate from the socialist period, widely depicted as… Show more

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Cited by 18 publications
(13 citation statements)
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References 26 publications
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“…Despite such discourses, Miles () suggests older people are beginning to embrace consumption opportunities and urban dance is an example of individuality and collectivism underpinning a new ‘sense of freedom’. This resonates with Jayne and Ferenčuhová's () research in a (post)socialist Slovakia housing estate, where wearing of ‘comfortable’ clothing – tracksuits, nightwear and other garments usually associated with domestic spaces – by diverse social groups in public spaces is popular. Life in state‐planned modernist housing led to wearing comfortable clothing in public spaces in order to make them more ‘homely’ and which Jayne and Ferenčuhová () consider an everyday political response to state socialism and later the emergence of consumer capitalism.…”
Section: Embodying Chinese Urbanismsupporting
confidence: 58%
“…Despite such discourses, Miles () suggests older people are beginning to embrace consumption opportunities and urban dance is an example of individuality and collectivism underpinning a new ‘sense of freedom’. This resonates with Jayne and Ferenčuhová's () research in a (post)socialist Slovakia housing estate, where wearing of ‘comfortable’ clothing – tracksuits, nightwear and other garments usually associated with domestic spaces – by diverse social groups in public spaces is popular. Life in state‐planned modernist housing led to wearing comfortable clothing in public spaces in order to make them more ‘homely’ and which Jayne and Ferenčuhová () consider an everyday political response to state socialism and later the emergence of consumer capitalism.…”
Section: Embodying Chinese Urbanismsupporting
confidence: 58%
“…Hinton and Redclift (2009, 12), however, make a convincing case against conjoining issues of austerity and sustainability, pointing out that 'wartime austerity was the platform on which unsustainable consumption was built in the last quarter of the century'. Thus, contemporary dressmaking may also be considered for its sensory qualities; making dresses that fit better, are more comfortable and are produced and consumed with specific material, emotional and embodied practices and experiences in mind (Colls 2004;Jayne and Ferenčuhová 2013). This is not to say that ethics of austerity are not compatible with other ethics of consumption, indeed there may be some overlap.…”
Section: Macaulay and Jillianmentioning
confidence: 99%
“…Post-socialist urbanism is often characterised by the neglect and privatisation of public space, declining civic attitudes and a rampant sense of individualism (Holleran, 2014). Only limited attention has been paid to the everyday experiences of post-socialist urban citizens (Jayne & Ferenčuhová, 2014).…”
mentioning
confidence: 99%