2014
DOI: 10.7208/chicago/9780226117881.001.0001
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Cited by 93 publications
(4 citation statements)
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“…9 During this decade, he decomposed tints of paint into arithmetical ratios of pure color and white paint mixed together, discovering a mathematical formula whereby proportional combinations of these two elements could be calculated to produce predictable results. 10 Yet it was not until 1725 with the publication of his Coloritto; or the Harmony of Colouring in Painting that any hint of this research appeared in print. The purpose of this treatise was to communicate infallible rules by which "flesh, or the color of any other object" could be represented in paint.…”
Section: The Investibility Of Le Blon and His Inventionsmentioning
confidence: 99%
See 1 more Smart Citation
“…9 During this decade, he decomposed tints of paint into arithmetical ratios of pure color and white paint mixed together, discovering a mathematical formula whereby proportional combinations of these two elements could be calculated to produce predictable results. 10 Yet it was not until 1725 with the publication of his Coloritto; or the Harmony of Colouring in Painting that any hint of this research appeared in print. The purpose of this treatise was to communicate infallible rules by which "flesh, or the color of any other object" could be represented in paint.…”
Section: The Investibility Of Le Blon and His Inventionsmentioning
confidence: 99%
“…103 As Dániel Margócsy has shown, this was derived from the Pythagorian idea that there is an arithmetical correspondence between ideal bodily proportions (as depicted by Raphael), color harmonies, and musical intervals. 104 We have already seen how Le Blon had invoked the ancient science of harmonics once before in his Coloritto. It therefore seems likely that the scientific theorizing presented in The Beau Ideal, albeit obliquely, was similarly intended to endow his claims to having perfected a new method of weaving with a certain credibility.…”
Section: Maintaining Credibility and Rationalizing Tastementioning
confidence: 99%
“…Housing specimens in transit and preserving them from decay was very difficult, so the commercially valuable or easily preserved parts of creatures were more likely to be extracted and transported. 4 Natural objects were enigmatic things, serving different symbolic functions amongst the different groups of people handling them. 5 These different functions were never entirely confined to their locale, the specific symbolism and knowledge surrounding such objects were often transported with them.…”
Section: Introductionmentioning
confidence: 99%
“…In contrast, Dániel Margócsy's study suggests that commercial processes stimulated differentiation in ways of representing natural objects. 10 This article will draw more on Margócsy's argument to explore exotic objects as the diverse results of numerous commodification processes. Focusing on close comparative analysis of natural history accounts, as used in recent history of zoology studies such as those by Paul Smith and Karl Enenkel, it will uncover the work of source collection and networking involved in the production of diverse assembled creatures.…”
Section: Introductionmentioning
confidence: 99%