“…Instead, he tried to help himself and others become more readable by promoting a playful and serious style, by telling stories that matter, by encouraging a fruitful blue-collar approach, by endorsing human writing for human readers, by supporting slow critique and slow essaying, by examining how and why academics write, by suggesting that academics should try to write dangerously, by creating their own narratives of everyday truth, by rejecting the notion that they could offer a god’s-eye view of the social world, and by adopting a quasi-posthumous posture to inoculate themselves against the intellectual and artistic viruses that could infect them (see Badley, 2022b, pp. 4–5).…”