This paper investigates the growing trend of mastectomy tattoos as an alternative to reconstruction, and their implication for the (de)regulation of women's bodies in the digital context. I explore how tattoos are incorporated into a "breast cancer culture" (King, 2010) as a form of self-care in the recreation of areola pigmentation after breast reconstructive surgery and in cosmetic masking of post-operative mastectomy scars. I examine how online discourses of tattooing practices are drawing women's bodies into an emergent 'biopolitics' (Foucault, 1990;Rose, 2001;Clarke et al., 2010), a productive type of power concerned with the risk management of a "biomedicalized subject" where women are encouraged to care for their health through informed decisions via online media (Pitts, 2004) and through consumption and beautification techniques in line with normative femininity (King, 2006). Yet, online media can potentially operate as sites for the creation of new publics wherein women can retell the stories of their bodies through new practices of inscription that subvert medicalized and masculinist reconstruction narratives. I perform a discourse