2013 Digital Heritage International Congress (DigitalHeritage) 2013
DOI: 10.1109/digitalheritage.2013.6743733
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Comparing 3D digitizing technologies: What are the differences?

Abstract: We tested five 3D digitization systems and one method of 2D+ recording on one object: a human skull from the Royal Belgian Institute of Natural Sciences collection (RBINS). We chose a skull because it has both simple and complex structures and different materials such as bone and enamel within the same object.The results obtained with the different technologies were compared for 3D shape accuracy, texture quality, digitization and processing time and finally price.Our results show that the structured light sca… Show more

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Cited by 39 publications
(36 citation statements)
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“…coloured polygon mesh of triangles, [14] and [15]. In summary, photogrammetry and SfM are applicable for objects of variable scale and surface properties [16] and therefore also applicable to the small Roman coins of this study.…”
Section: Photogrammetry and Structure From Motion (Sfm)mentioning
confidence: 99%
“…coloured polygon mesh of triangles, [14] and [15]. In summary, photogrammetry and SfM are applicable for objects of variable scale and surface properties [16] and therefore also applicable to the small Roman coins of this study.…”
Section: Photogrammetry and Structure From Motion (Sfm)mentioning
confidence: 99%
“…This is an attractive tool for museum professionals, palaeontologists and other fans of 3D digitization of surface and colour. (Mathys et al 2013). The manufacturer specifies that for the specific set-up used the accuracy is at 0.38mm.…”
Section: Team 4: 3d Laser Scanning -Mid-divisionmentioning
confidence: 99%
“…As part of the Agora 3D project [1], we have been analysing the different methods of 3D digitisation of both natural history and cultural heritage collections, enabling us to test a wide range of different materials.…”
Section: Introductionmentioning
confidence: 99%
“…Reviews on the quality of 3D models already exist [1], [2], [3], but few studies have focused on the influence of material on the 3D model. Unlike engineers, cultural heritage researchers often found themselves confronted with this issue.…”
Section: Introductionmentioning
confidence: 99%