2016
DOI: 10.3727/152599516x14682560744631
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Comparison of Local and International Festival Attendees' Motives and Perception of Festival Impacts: Case of Sauti Za Busara

Abstract: Festivals have been in existence since time immemorial. Festivals serve as cultural celebrations for the locals and international tourists who wish to look into the local culture. The concept of sustainability has crossed boundaries from its original environmental issues into tourism and festivals. As a means towards ensuring festivals remain a core rather than a peripheral leisure activity for both locals and international attendees, this study aimed at comparing the motives and perception of festival impact… Show more

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Cited by 4 publications
(5 citation statements)
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“…The push factors represent the internal factors that motivate a person to attend a festival. The pull factors are considered external factors that attract the attendees to an event (Jani and Philemon, 2016). Generic motives of music event attendees include socialization, family togetherness, novelty, escape and relaxation, excitement and enjoyment and cultural exploration (Formica and Uysal, 1996; Nicholson and Pearce, 2001; Bowen and Daniels, 2005; Abreu-Novais and Arcodia, 2013; Yolal et al , 2012).…”
Section: Literature Reviewmentioning
confidence: 99%
“…The push factors represent the internal factors that motivate a person to attend a festival. The pull factors are considered external factors that attract the attendees to an event (Jani and Philemon, 2016). Generic motives of music event attendees include socialization, family togetherness, novelty, escape and relaxation, excitement and enjoyment and cultural exploration (Formica and Uysal, 1996; Nicholson and Pearce, 2001; Bowen and Daniels, 2005; Abreu-Novais and Arcodia, 2013; Yolal et al , 2012).…”
Section: Literature Reviewmentioning
confidence: 99%
“…In addition to the spatial and temporal transformation of the cultural festival, the level of inclusiveness of the general public may cause its identity change. The level of openness to those who are not regular participants of the festivals, such as local visitors and international tourists, affects the way the festival is organized [40]. Particularly, it determines the degrees of commercialization and touristification, which may cause an identity shift of the festival.…”
Section: Traditional Local Cultural Festivals and Their Transformationmentioning
confidence: 99%
“…The literature focusing on the social functions of a cultural festival has addressed the role of intercultural understanding [44]. Enhanced interactions and understanding of people from different cultural backgrounds through local cultural festivals are found not only from the resident visitors but also among the organizers [40,45].…”
Section: Perceived Social Functions Of the Drunken Dragon Festivalmentioning
confidence: 99%
“…There are a range of motives as to why visitors attend festivals. These include a desire to socialize, belong, explore, escape, and/or learn about a host community's distinct cultural heritage, which embodies its social practices and ethnicities (Arellano, 2011;Jani & Philemon, 2016). The outcomes of participation in these festivals are the enriching and memorable experiences visitors encounter and cherish (Getz & Page, 2016;Manthiou, Lee, Tang, & Chiang, 2014b).…”
Section: Brand Personalitymentioning
confidence: 99%
“…To illustrate, the Tulip Festival's Cheerfulness personality encompasses cheerful, reliable, outdoorsy, and down-to-earth traits. These traits have scope to tap into evolving visitor lifestyles that seek to socialize, belong, explore, escape, and learn (Arellano, 2011;Jani & Philemon, 2016).…”
Section: Festival Personality and Visitor Intention 679mentioning
confidence: 99%