Compliment Strategies Used by The Judges in Indonesian and American Idol 2019: A Cross-Cultural Pragmatics Study

Agustiyani, Muji

doi:10.24903/sj.v5i2.492

Cited by 3 publications

(3 citation statements)

References 11 publications

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“…Dalam sebuah artikel yang berjudul "Ziva Magnolya Cerita Tentang Riffs and runs yang Melekat Pada Dirinya" ditulis oleh Cakra Mahardika Kevlana dalam website Eventori.id. Ziva Magnolya adalah salah satu penyanyi muda yang dikenal dengan teknik riffs and runs yang apik (Agustiyani, 2020). Ziva menanggapi tentang dirinya yang dianggap sebagai `Diva` riffs and runs, "Waktu aku masih di Idol (Indonesian Idol), sebenarnya mungkin tuh orang-orang tahu yang riffs and runs ini.…”

Section: Identifikasi Identitas Musikal Ziva Magnolya Dalam Lagu Mata...unclassified

Teknik Riffs and Runs Sebagai Identitas Musikal Ziva Magnolya Dalam Lagu Matahariku Ciptaan Yuan Paser

Wuzdan,

Gustina,

Virgan

2023

SWARA

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Penelitian ini bertujuan untuk mendeskripsikan teknik riffs and runs sebagai identitas musikal Ziva agnolya dalam lagu Matahariku Ciptaan Yuan Paser. Riffs and runs merupakan suatu teknik vokal yang saat ini sedang banyak diminati oleh para penyanyi maupun penikmat musik, namun masih banyak masyarakat yang belum memahami mengenai teknik ini. Ziva Magnolya merupakan salah satu penyanyi wanita muda Indonesia yang terkenal dengan kemampuan teknik riffs and runs, dia merupakan jebolan ajang pencarian bakat dan keluar sebagai juara ketiga. Penelitian ini dimaksudkan untuk mengidentitfikasi pola riffs and runs yang digunakan Ziva Magnolya dalam lagu Matahariku dan bagaimana pola tersebut dapat menjadikan identitas musikal baginya. Penelitian ini menggunakan metode kualitatif dengan pendekatan deskrptif analitik, sehingga hasil dari penelitian ini ialah berupa data-data yang disajikan dalam bentuk deskripsi atau penjelasan secara terperinci mengenai informasi yang telah ditemukan selama proses penelitian. Hasil dari penelitian ini ialah identitas musikal Ziva Magnolya yang tampak dalam menyanyikan lagu Matahariku adalah teknik riffs and runs dengan pola campuran yang memiliki ciri khas pada alur nada naik turun yang bergelombang dan dinyanyikan dengan sangat cepat sehingga Ziva Magnolya berhasil membawakan lagu Matahariku ini dengan sinar dan nyawa baru yang tentunya berbeda dengan penyanyi aslinya yaitu Agnez Mo serta dengan penyanyi-penyanyi lainnya.Kata kunci : riffs and runs, identitas musikal, Ziva Magnolya, Matahariku

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Section: Identifikasi Identitas Musikal Ziva Magnolya Dalam Lagu Mata...unclassified

Teknik Riffs and Runs Sebagai Identitas Musikal Ziva Magnolya Dalam Lagu Matahariku Ciptaan Yuan Paser

Wuzdan,

Gustina,

Virgan

2023

SWARA

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“…On the whole, explicit compliment has at least one good evaluation to leave nothing implied and this leads the hearer to directly get the meaning. For instance, "I'm proud you are here" (Agustiyani, 2020) and "What a kind heart you have!" (Pour & Zarei, 2016) 2.…”

Section: Introductionmentioning

confidence: 99%

Masterchef Canada Judges’ Strategies for Giving Compliments in the Season 7 Finale

Virginia,

Ambalegin

2023

ANAPHORA

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This descriptive qualitative research sought to examine compliment as one of the pragmatics phenomena. The object of this research is compliment strategies applied to acknowledge contestants as interlocutors. The finale episode of MasterChef Canada season 7 entitled “And the Winner of Season 7 Is…” became the data source. It got Claudio Aprile, Michael Bonacini, and Alvin Leung to challenge the finalists to show the culmination of their skills in cooking three dishes within three hours. In giving compliments to the contestants, various ways were applied to have their compliments delivered. Compliment utterances of the three judges were collected as data through observational methods and note-taking techniques. The pragmatic identity method and pragmatic competence equalizing technique were then used to analyze the collected data. To theoretically explore compliment strategies, the theory coined by Yuan (2002) was adopted. The result reported that eight out of ten strategies were employed and those were found in 23 utterances. The explicit compliments consisted of ten data, advice showed four data, explanation got three data, contrast had two data, and one data belonged to each strategy of implicit compliment, non-compliment, information question, and future reference. From the strategies, explicit compliments got the highest frequency as the judges tended to express compliments by giving direct compliments without being triggered by previous actions and leaving nothing lack of sureness. In the finale episode, compliments were frequently expressed by including the positive semantic carriers, namely “amazing”, “awesome”, “good”, “beautiful”, “like”, “love”, “elevated, “nailed”, “stop conversation”, and “great”. The frequency of giving compliments was caused by the good performance of the contestants in the Season 7 Finale. The use of compliant expressions helped the judges to express their appreciation in various ways.

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“…( 2021). The following four researchers- Mandalasari (2018), Purnama (2017), Agustiyani (2020), and Jamaluddin (2018)-have conducted four studies on praises on talent shows.…”

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confidence: 99%

Gender-Based Compliments Used by Judges in America’s Got Talent 2019

Hanifah

Marlina

2022

ELL

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Humans use a variety of communication methods to convey their messages, including apologies, requests, complaints, and compliments. Different communication traits apply to men and women. There are variations in their methods of compliment expression due to the differences in their communication styles. Culture and language are inseparable. The compliment is inextricably linked to culture as a component of language. Their cultural background has a big impact on how they complimented people. The study's analysis of the judges' complimenting styles during the 2019 season of America's Got Talent is its main focus. The study examines the subject, methods, purposes, and syntactic structure of compliments. A qualitative descriptive methodology used in this study. The information was the praise the judges gave to each finalist in their comments. 72 compliments were gathered from America's Got Talent. The results indicate that male judges were more likely to give compliments than female judges. Regarding compliments, the performances of the finalists received more compliments, from male and female judges than from them on other topics. In their delivery of compliments, male judges tended to employ explicit techniques than female judges, but females were more likely to use implicit techniques. In the context of compliments, male judges typically use them to show admiration or approval for someone's work, appearance, or taste, whereas female judges typically use them to replace thanks, greetings, congratulations, and apologies. Finally, judges who were male or female were more likely to compliment others using the phrase PRO is (really) (a) ADJ NP and PRO is/are/was/were more often when making compliments. They are more likely to use impersonal compliments. In conclusion due to the topic, techniques, purpose, and grammatical structure of compliments, there are some variances and similarities in the praising behavior of men and women.

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Compliment Strategies Used by The Judges in Indonesian and American Idol 2019: A Cross-Cultural Pragmatics Study

Cited by 3 publications

References 11 publications

Teknik Riffs and Runs Sebagai Identitas Musikal Ziva Magnolya Dalam Lagu Matahariku Ciptaan Yuan Paser

Teknik Riffs and Runs Sebagai Identitas Musikal Ziva Magnolya Dalam Lagu Matahariku Ciptaan Yuan Paser

Masterchef Canada Judges’ Strategies for Giving Compliments in the Season 7 Finale

Gender-Based Compliments Used by Judges in America’s Got Talent 2019

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