We propose that reading stories, such as a narrative about a character who takes money from a store where his best friend works and who later learns that his best friend has been fired, stimulates readers to activate the knowledge of how the character feels when he finds out that his best friend has been fired from a job for something he did. In other words, we propose that readers infer fictional character's emotional states. In this article, we first review two series of laboratory experiments (Gernsbacher, Goldsmith, & Robertson, 1992;) that empirically tested this hypothesis by measuring participants' reading times to target sentences that contained emotion words that matched (e.g., guilt) or mismatched (e.g., pride) the implied emotional state. We then present a third series of laboratory experiments that tested how automatically such knowledge is activated by using a divided-attention task (tone-identification, per-sentence memory load, or cumulative memory load) and by comparing target-sentence reading time when the emotional state is explicitly mentioned versus only implicit.Several years ago, one of our colleagues (Douglas Hintzman) announced a colloquium that was to be given by a leading reading researcher (Alexander Pollatsek) in the following way: I asked Dr. Pollatsek to explain "reading." He replied that it is a method that millions have used to gain enlightenment. Practitioners of this art ("readers," as Pollatsek calls them) adopt a sitting position, and remain virtually motionless for long periods of time. They hold before their faces white sheets of paper covered with thousands of tiny figures, and waggle their eyes rapidly back and forth. While thus engaged, they are difficult to arouse, and appear to be in a trance. I didn't see how this bizarre activity could bring knowledge. Pollatsek said that the knowledge actually comes from other minds, which he called "authors." During reading and perhaps afterward, the author has control over the reader's mind. As if all this weren't enough, it turns out that the author does not have to be nearby or even alive for this eerie communication to occur. I asked whether a reader's mind could be controlled by an author who lived thousands of miles away and had been dead for