Conclusion: Millennial Times, Perennial Times

Abstract

The millennium and fears of its ‘bug’ confirmed how far the modern world remained in thrall to exacting temporalities. Some early C21st-century novels – e.g. by W.G. Sebald– extended the resistive strategies of modernism, alongside recent ones described in Chapter Six. Others – by Don DeLillo and Thomas Pynchon – suggested different strategies for evading temporal constraints, and also some of the latter’s origins in the eighteenth century ‘Age of Reason’ and Industrial Revolution. Examining this age clarifies how far the rise of the novel (in its modern mode) may be attributed to newly-exacting influences of the clock on contemporary life, and how extensively these were resisted by early practitioners of the form, particularly Laurence Sterne. Resistance to the clock’s orderings can of course be further retraced, though Shakespeare’s plays – even back to Roman times – with much C20th writing suggesting it shares in wider, perennial antinomies between human reason, or agency, and nature. Though perhaps perennial, such antinomies should be seen as historically specific in scale and nature, and particularly inflected within C20th imagination. Tracing this inflection, as this study has shown, offers a powerful means of understanding the century’s history and the ways this has shaped its imagination and narrative forms.