2017
DOI: 10.4324/9781315546247
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Congregational Music, Conflict and Community

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Cited by 7 publications
(3 citation statements)
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“…Among both scholars and popular authors, CCS lyrics have often been negatively evaluated. Two of the most common critiques are that CCS are too 'me-focused' (Dawn 1995, p. 109), and that many of them fall into the category of 'Jesus is my boyfriend' songs (Hussey 2019;Dueck 2017). Empirical analysis of CCS lyrics, however, indicates that over 80% of CCS lyrics contain more references to God than to the worshiper (Thornton 2021, p. 165), and only half the most popular CCS utilize only first-person singular pronouns (I, me, my) (ibid., p. 162), while the other half use either first-person plural pronouns (we, us, our) or a combination.…”
Section: Literature Review and Methodologymentioning
confidence: 99%
“…Among both scholars and popular authors, CCS lyrics have often been negatively evaluated. Two of the most common critiques are that CCS are too 'me-focused' (Dawn 1995, p. 109), and that many of them fall into the category of 'Jesus is my boyfriend' songs (Hussey 2019;Dueck 2017). Empirical analysis of CCS lyrics, however, indicates that over 80% of CCS lyrics contain more references to God than to the worshiper (Thornton 2021, p. 165), and only half the most popular CCS utilize only first-person singular pronouns (I, me, my) (ibid., p. 162), while the other half use either first-person plural pronouns (we, us, our) or a combination.…”
Section: Literature Review and Methodologymentioning
confidence: 99%
“…Detta innebar förändringar i språk, uttryckssätt, en ökad användning av teknik och ett fokus på excellens. 7 Pop/rock-musiken, samt gospeln (särskilt i afro-amerikanska församlingar) etableras som primära musikaliska uttryck, och orsakar mycket debatt (för en översikt, se särskilt Dueck, 2017).…”
Section: Praise and Worshipunclassified
“…Despite sociology's long history of recognizing religion as a fundamental source of how symbolic boundaries are constructed and maintained between sacred and profane (Durkheim 2008 [1912]: 9), few studies on cultural tastes and practices have given it much attention (for some exceptions, see Aarons 2018; Katz-Gerro 2002; Katz-Gerro et al 2009). Even fewer have considered the added boundaries concerning congregational spaces, with the one main exception of research on congregational worship music (e.g., Dueck 2017; Ingalls 2018; Kelman 2018; Porter 2016).…”
mentioning
confidence: 99%