In recent years, scholars have identified many of the ways social networking platforms have shaped journalistic practices and norms (Anderson & Caumont, 2014; Harrison, 2010; Hermida, 2010). These platforms have brought changes to fundamental aspects of journalism, such as crowdsourcing and verification practices (Wardle & Williams, 2010). Increasingly, researchers have explored how journalists have interacted with audiences and other journalists within digital spaces of production. In news production, these journalistic interactions have taken on a heightened significance by blurring familiar boundaries and allowing audiences to be co-creators in "new communicative spaces" (Peters, 2012, p. 4). Describing Twitter, Hermida coined the term "ambient journalism" to refer to "awareness systems that offer [journalists] means to collect, communicate, share, and display news and information in the periphery of a user's awareness" (Hermida, 2010). These digital spaces of journalistic interactions provide, as Couldry argues, a platform for the emergence of "inter-local spaces" of news production and consumption, meaning increasing connection among different localities (Dickens, Couldry, & Fotopoulou, 2015). Online journalistic practices extend across wider communities of interest (Couldry et al., 2016) and can include "liminal viewpoints" (Papacharissi, 2014). Online journalistic interactions also often involve an element of "journalistic boundary work" varying across cultural, socio-politico, and technological contexts (Carlson & Lewis, 2015; Lamont & Molnár, 2002). Building on this 701163S MSXXX10.