2001
DOI: 10.1007/978-3-662-06398-9
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Conservation of Wood Artifacts

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Cited by 210 publications
(164 citation statements)
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“…El adhesivo UF produjo los valores más altos de resistencia en la línea de adhesivo tanto para las muestras estabilizadas con PEG como para las no tratadas, superando en 50 % el límite impuesto por la norma. Estudios realizados con otras especies de madera tratada con PEG también reportan la formación de uniones fuertes utilizando adhesivos UF (Unger et al, 2001).…”
Section: Resultados Y Discusiónunclassified
“…El adhesivo UF produjo los valores más altos de resistencia en la línea de adhesivo tanto para las muestras estabilizadas con PEG como para las no tratadas, superando en 50 % el límite impuesto por la norma. Estudios realizados con otras especies de madera tratada con PEG también reportan la formación de uniones fuertes utilizando adhesivos UF (Unger et al, 2001).…”
Section: Resultados Y Discusiónunclassified
“…In this context, a related wooden element should be included into the construction again by making inserts from wood materials belonging to the same tree species or by using metal fastening elements. Near that region, in areas where heavy fungal and insect damage occur, necessary rigidity and resistance can be achieved by using epoxy resin [47][48][49]. For determined insect damage and areas exposed to an advanced level of brown rot, resins of urea-formaldehyde and melamine formaldehyde, epoxy resins, as well as shellac use, will help obtain sufficient stiffness and resistance [50].…”
Section: Discussionmentioning
confidence: 99%
“…That contributes to the eradication of larvae as the larvae of the house longhorn beetle eat and stay mainly in the early wood (Unger, 2001). Early wood has large lumens and thin walls through which the microwaves can penetrate more quickly, at the same time the lumens may hold more steam.…”
Section: Impact Of Wood Moisture Depth and Directi-mentioning
confidence: 99%
“…In the case of cultural/historical wooden objects treated with various coatings, it is necessary to bear in mind that at temperatures above 60°C there is a risk of natural waxes softening and damages of adhesives, paints and varnishes on polichromated sculptures or furniture (Unger, 2001).…”
Section: Introduction Uvodmentioning
confidence: 99%